SELECTED WORK





... but the clouds ..., 2023
Text by Samuel Beckett
(1976, first published 1977)
single channel video, sound 
7min 20sec


Mirador
Francis Alÿs, Christopher Earley, André Figueiredo da Silva and Tess E. McKenzie, 2023
Curated by Tess E.McKenzie
Slade School of Fine Art, London
Photo: Elena-Andreea Teleaga


There in the end slowly a faint hand., 2023 [left]
&
Backs away to edge of light and turns to face east., 2023 [centre]
&
... but the clouds ..., 2023 [right]
Photo: Elena-Andreea Teleaga


There in the end slowly a faint hand., 2023 [left]
digital print
&
Backs away to edge of light and turns to face east., 2023 [right]
digital inkjet prints
Photo: Elena-Andreea Teleaga


Saying again nine days never flooded the loved, 2023
giclée print
21 x 17.9cm
edition of 5


You never did that before (detail), 2021
pencil on vellum
29.7 x 21cm


Twofold Bay 02, 2021
Digital inkjet print
edition of 5


Betaling, 2020
Ink and watercolour on 220gsm paper
23 x 31xm


The Dry Salvages, 2020
Ink and watercolour on Arches paper
23 x 31cm



Swing song, 2020
single channel video, sound
duration: 5min 53sec
Made with the generous support of Ambit Magazine for Issue 239.


And ploughed the seas to find another pole (part 1 of diptych), 2019
Digital inkjet print
29.7 x 42cm


Does a Tiger Wear a Necktie? (part 2 of diptych), 2019
Digital inkjet print
29.7 x 42cm


Choral: the Pink Church (after William Carlos Williams), 2019
Ink, watercolour, collage and vinyl on Arches paper





I'm ridin' a small tiny hoss (His name is MIGHTY LITTLE). 
He's a good hoss Even though He's a bit dinky to strap a big saddle or 
Blanket on anyway, 2018
Ink and watercolour on Arches paper
Paper size: 21 x 29.7cm


Nettie crotch (after William Crotch), 2018
Digital inkjet print on archival paper
43 x 61cm
Photo: Christo Crocker


SEASURE, 2018 [left]
&
Nettie crotch (after William Crotch), 2018 [right]
Photo: Christo Crocker


SEASURE, 2018
Polyester webbing and webbing bridges
webbing length: 10mt 
Photo: Christo Crocker


SEASURE, 2018 [detail]
Photo: Christo Crocker


Foo was here, 2016-2018
Digital inkjet print on archival paper
21 x 29.7cm
edition of 3
Photo: Christo Crocker


 Nettie crotch (exhibition installation)
2018
Photo: Christo Crocker


Fogging, 2016
single channel video, no sound
duration: 5min 20sec
Made with the generous support of the Sidney Nolan Trust


 Fogging (exhibition installation)
2017
Photo: Matthew Stanton

Elsie Wright and Frances Griffiths, 2017
digital print and vinyl
vinyl: 389.5 x 402.5cm, print: 81.3 x 120.5cm
Photo: Matthew Stanton


Elsie Wright and Frances Griffiths (detail), 2017
Photo: Matthew Stanton


Elsie Wright and Frances Griffiths (detail), 2017
Photo: Matthew Stanton


 The Rodd, 2017
acrylic paint
389.5 x 667cm
Photo: Matthew Stanton


 The Rodd (detail), 2017
Photo: Matthew Stanton


 Whole hole, 2017 [left]
digital print
24.2 x 31.2cm
&
AM, 2017 [right]
digital print
24.2 x 31.2cm
Photo: Matthew Stanton



HRP2, 2017
polywoven bags, rags and tape 
36.5 x 43 x 34.5cm
Photo: Matthew Stanton


Given that I am unhappy, I have the right to your help, 2016
polythene dust sheets and digital print
print:118.9 x 84.1cm


Acciaccatura, 2016
stop-motion animation
duration: 16sec, looped


A mime for two players (video still), 2016
HD projection with sound, PVC strip, galvanised steel 
duration: 3min 9sec


A mime for two players, 2016
HD projection with sound, PVC strip, galvanised steel 
duration: 3min 9sec


A mime for two players (detail), 2016
HD projection with sound, PVC strip, galvanised steel 


A mime for two players, 2016 [left]
and
Good evening. Mine is a faint voice., 2016 [right]


Good evening. Mine is a faint voice., 2016
HD video, no sound
duration: 8min 58sec, looped


Good evening. Mine is a faint voice. (video still), 2016


A bird in the hand is worth two in the bush, 2016
photocopy, hairpins, perforated PVC strip


A bird in the hand is worth two in the bush (detail), 2016
photocopy, hairpins, perforated PVC strip


Nijinsky laughing, 2015
video 
duration: 16sec, looped


Nijinsky laughing, 2015
video 
duration: 16sec, looped


Hair in a forest (excerpt), 2016
HD video
duration: 1min 20sec


Leck mich im Arsch (video still), 2016


Leck mich im Arsch, 2016
HD video
duration: 2min 24sec



A bird in the bush is worth two in the hand (animation), 2015
video
duration: 16sec, looped


Winston (no.46), 2015
inkjet print 
100cm x 64.7cm
no.46 of a series of 80 prints


Close, but no cigar, 2015
35mm colour slides, slide projector with timer, Unicol projector stand
dimensions variable


Close, but no cigar, 2015
35mm colour slides, slide projector with timer, Unicol projector stand
dimensions variable


Oh yeah, 2015
single-channel video, speaker
duration: 2min 18sec, looped


 Robin, 2015
framed vintage postcards, digital slideshow, iPhone and waterproof iPhone cover
each framed postcard: 15 x 10cm
iPhone in cover: 17 x 10.2cm
sound


Robin, 2015
framed vintage postcards, digital slideshow, iPhone and waterproof iPhone cover
each framed postcard: 15 x 10cm
iPhone in cover: 17 x 10.2cm
sound


Robin, 2015
framed vintage postcards, digital slideshow, iPhone and waterproof iPhone cover
each framed postcard: 15 x 10cm
iPhone in cover: 17 x 10.2cm
sound



Smoke detector, 2014
single-channel video
duration: 1min 28sec, looped


The end, 2014
granite, vinyl and vintage postcard
44.3 x 46 x 16.5cm


Daisy Bell II, 2014
single channel video
duration: 4min 15sec, looped
Photo: Matthew Stanton



Daisy Bell II, 2014
single channel video
duration: 4min 15sec, looped


Enceladus, 2014 [left]
digital inkjet print, cardboard
52 x 42cm
&
Rough Seas, 2014 [right]
digital inkjet print, vintage postcards
42 x 52cm
Photo: Matthew Stanton


Twoholepunch, 2014
hole punch
Photo: Matthew Stanton


Moon River, 2014
postcard, compact disc
30 x 30cm
Photo: Matthew Stanton


Red sky at night, sailors’ delight, 2014
postcard, adhesive felt padding
30 x 30cm
Photo: Matthew Stanton


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